Monday, February 11, 2019
The Chrysalids - Utopia or Dystopia ? :: Chrysalids
The Chrysalids Utopia or Dystopia ?   One could describe the novel The Chrysalids as a dystopian novel as apposed to utopian. The town in which David and the rest of shape-thinkers make it is deffinatly non a utopia as well as the new institute to which they move, Sealand. The dictionary definition of utopia is an imaginary island with perfect affable & policy-making system, social and political paradise. Waknuk is not an island, so it is deffinatly not a utopia, scarcely Sealand has the characteristics of a utopia. It is an island, but it does not have a perfect social and political system. Perfect social system means equal rights and discussion for all. David, Rachel, Michael and Rosalind are not treated as equals by the Sealanders compared to the way Petra is treated. The Sealand woman came to their aid not because she wanted to help them, but because she was interested in seeing whom this little girl was that had such strong communication skills. She arrived and was very(prenominal) eager to put Petra in the space ship and take her post with her and she was obliged to take Michael, Rosalind and David. When Michael mentioned that his girlfriend was stuck in Waknuk and that he would like to go and fetch her she made no effort. She simply said that there was not enough fuel to fetch her and that they could only leave her behind. When Michael told her almost the occupation getting home she was disinterested. Michael was forced to stay behind so that he could go to Waknuk and be with his girlfriend. When David described the Sealand woman he described her as the image of perfection. His description of her was so perfect that it described her flaws. She was too perfect, as though artificial. She communicates on a higher level as him so that he cant understand and does not worry about his troubles. Sealand may not be a utopia but it is deffinatly not a dystopia. The Chrysalids are free to use their gifts and feel more comfortable employ the m.
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